There’s a little magic in the way a shop, webpage or app is laid out. It’s often invisible, subtle, and largely taken for granted. But behind that magic is psychology—an understanding of how we humans see, think and choose. And when used wisely, it not only improves our experience but gently nudges us towards discovering things we didn’t know we wanted.
I had a friend once who owned a tiny bookshop down in Cornwall. People adored her shop—not because it offered rare titles or huge discounts, but because it felt “just right.” You’d step in for a novel and walk out with poetry, a quirky journal, and maybe even an old map. She told me it wasn’t just the books she chose, but exactly where and how she placed them that made the difference. And looking back, it makes so much sense.
We are, after all, creatures of our environment, whether we admit it or not.
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ToggleImagine walking into a bakery. If the first thing you smell is warm bread and the first thing you see is a glossy chocolate croissant, your brain does something interesting. It starts building a story. This is going to be indulgent, comforting, maybe even a little spontaneous. You didn’t plan on buying dessert at 10am. But here you are, reaching for it.
Now translate that to a website.
A smart layout understands that the beginning of your journey sets the tone for everything else. If you land on a page that’s clean, inviting and shows you something familiar but with a twist, your eyes linger. You feel welcome. You’re curious. And curiosity is the first door to buying something extra—not because you were tricked, but because your attention was guided thoughtfully.
In many ways, layout isn’t about making a sale. It’s about creating a path that feels natural. Like a friend gently leading you by the elbow, saying: “Here’s something you might love.”
Have you noticed how supermarkets place pasta next to sauce? Or wine near the cheese section? Of course you have. It makes sense. You think of one, you want the other.
This is what we’d call proximity thinking—the idea that we associate objects and ideas that are physically close to each other. Designers use this principle all the time, but when it’s done well, it feels less like design and more like serendipity.
So if you’re browsing a website for a new laptop and you see a soft leather case placed just below the “Add to Basket” button, it doesn’t feel pushy. It feels helpful. Like someone anticipated your needs. You might think, “I do need to protect that screen,” and suddenly, you’re adding more than you first planned.
This isn’t manipulation. It’s empathy. It’s about removing the need to search and replacing it with small, unexpected delights that make the journey smoother. When you help people imagine their future life with a product—they feel understood. That feeling opens the door for more.
One of the more thoughtful tricks I’ve seen in layout design comes not from where things are added, but where things are left out.
Think of an Apple store. Crisp, minimal, almost like a gallery. There’s something strangely calming about being invited to focus on only a few things at once. That focus breeds confidence. And when you’re confident, you’re more likely to say yes.
Web designers have started to embrace this idea too. If a page has too many choices, the mind freezes—or worse, it races through everything without absorbing anything. But when designers provide breathing room between choices—space where our eyes can rest—it allows our preferences to surface gently. We notice the details, the emotion behind a product selection, and we begin to dream.
And you know what happens when people dream? They see themselves using the product—and then they wonder what else might go with it.
I remember buying a rucksack online last year. As I checked out, the website asked, “Do you want to add this waterproof cover?” Not in a shouty ad way, just a small box tucked to the side with a photo and one polite sentence. I clicked “Yes”—not because I was sold to, but because I’d forgotten rain existed.
That’s clever.
The most effective cross-sells aren’t about pushing people to pay more. They’re about helping people meet the full needs they hadn’t entirely formed yet. And smart layouts know where to place those reminders—just after someone’s clicked or just before. At thresholds. At decision points.
It’s a bit like checking your coat pockets before heading outside and someone gently hands you your gloves. You’re grateful, not annoyed.
At its worst, a badly designed selling experience feels loud. Pop-ups, flashing banners, urgent countdowns—all designed to rush you. But high-quality layouts do the opposite. They slow you down slightly—not enough to frustrate, just enough to invite thought.
For people who savour ideas, who enjoy the feeling of figuring things out, this can make all the difference. It creates a sense of discovery, rather than pressure. You uncover things instead of being shown them.
I once bought a pair of boots that were shown alongside a story—about the craftsman who made them, the hill walks they were designed for, and how the leather would age with wear. Before I knew it, I’d added the wax polish and the special inner soles. Not because I was upsold, but because the layout had let me pause long enough to fall in love.
We often underestimate the power of order. When things are structured clearly—when pages are intuitive, when suggestions appear exactly where and when you need them—it breeds a kind of trust that’s hard to fake.
You relax. Your mind stops bracing for the trap. And in that state, you’re more open to exploring. That openness is the window through which carefully placed items slip through—like a matching set of cookware you never thought you’d care about, until you did.
People often say that clean layouts are about aesthetics. But they’re really about integrity. When the design respects your intelligence, you’re more willing to buy—not because you were persuaded, but because you were considered.
Good layout is like a quiet conversation between you and someone who pays attention. It respects your time, it listens for clues, and it shows you just enough. Not everything at once, just the next right thing.
And that’s the true secret behind why people end up buying things in addition to what they came for—not because flashy buttons forced their hand, but because the environment was built to help them explore.
Whether it’s a pop-up shop or a global ecommerce site, the layout reflects intention. When that intention is clever and kind, people respond. They walk away with fuller baskets, yes—but also with stories. Stories of how they ended up with things they didn’t expect, in a way that felt completely natural.
So the next time you find yourself with one extra thing in your cart, take a moment and ask: was I persuaded… or was I understood?
Often, the answer is both. And that’s when design truly sings.
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